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Xx art

Übersetzung im Kontext von „X-ART“ in Englisch-Deutsch von Reverso Context: The low-frequency response is very powerful, considering their size, and the. Layout, Design und Umsetzung für Website und Shop. Die Firma storalundbysamhallsforening.se vertreibt professionelles und semiprofessionelles Equipment für Video- und. Kaminofen Rizzoli Serie X Art - X Art Basic - 8 kW Rizzoli Das Familienunternehmen Rizzoli ist seit tätig und hat in dieser langen Zeit w.

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XX Art - This Moment

They submitted the demos to XL's head office at Ladbroke Grove and were subsequently signed to a recording contract. There was a lot of empty space in the xx's music, even then, in the 'Early Demos'.

But we just found that the best stuff was the most sparse. At the behest of XL's owner Richard Russell , the xx recorded their debut album at the label's small, in-house recording studio — XL Studio — making them the first act to record there.

It was once the head office building's rear garage before Russell transformed it at the beginning of into a makeshift writing, rehearsal and demo space for XL's artists.

McDonald was assigned in September to manage and properly equip the room, which he liked because it was soundproof and "isolated from the rest of the office, so it wasn't like you were working in the record company's presence.

The xx started to record the album in December with McDonald, who engineered the sessions. Sim, who played a Precision Bass manufactured in the s, was often recorded in the hallway outside the studio with a Fender Bassman , one of several amplifiers McDonald experimented with for xx.

Some of Qureshi and Croft's guitars were also done in the hallway. For her lead guitar parts, Croft used a delay pedal and a Roland Micro Cube amplifier with a reverb setting, which McDonald felt would best replicate her "icy", echo-filled sound on the demos.

After all the instrumental elements had been tracked , Croft and Sim recorded their vocals together, rarely singing backup to one another on any of the songs.

McDonald believed it was important for the singers to be "in sync" and share the same mental state or mood when performing full takes of songs, some of which he said benefited from when they were both "quite tired and emotional".

He had Croft and Sim sing into Neumann microphones on most of the songs in order to make their vocals sound as "intimate" and conversational as possible.

The microphones were among the more expensive items he borrowed for the studio's preliminary setup so XL would not be overwhelmed with a costly budget.

Despite McDonald's close involvement, the xx had been encouraged to self-produce their album by Russell; he believed it would remain faithful to both the band's distinctive live sound and the DIY ethic practiced at XL since its beginnings as a rave label.

After those parts had been recorded, he refined and incorporated his beats into the songs for three to four weeks.

Most of xx was recorded from late December to late January before McDonald and Smith began an exhaustive mixing process, which lasted two weeks.

For each song, they mixed one or two tracks of each instrument and used Waves Audio components to equalise the recordings.

Having enjoyed how the demos captured unintended background noises such as street sounds, McDonald deliberately left certain sounds that would have otherwise been unwanted in the final mix.

In February , the group wrote and recorded "Fantasy", " Shelter " and "Infinity" before finishing xx , possibly by month's end according to McDonald; the album's liner notes credited the final date of recording as April.

While recording "Shelter", a mechanical part from the guitar amplifier loosened and caused it to make a clattering sound, which McDonald and the xx chose to retain.

The songs on xx are composed around a framework of basslines and beats, while incorporating simple guitar riffs for melody, rhythm and texture ; their melodic notes are separated by rests.

On the austerely arranged "Night Time", Croft sings its first two minutes over only guitar and bass before its beat develops. On xx , Croft and Sim touch on themes of love, desire and loss in their songwriting, which Croft said has "always been based around emotions, right from the start.

My favourite songs are usually quite sad and I think heartbreak is something that so many people can connect with. The album's Roman numeral title refers to each of the band members having turned 20 years old by the time xx was released.

I can honestly say I've never thought this is about my sex life. Critics particularly praised the xx's sound on the album; Simon Price wrote in The Independent that they were being universally lauded for their "atmospheric indie rock, and rightly so".

Some reviewers had reservations. Jon Caramanica of The New York Times felt the singers are too disengaged and reticent to reveal any genuine emotion.

At the end of , xx appeared on several critics' lists of the year's best albums, including rankings of ninth by Rolling Stone , sixth by Uncut , third by Pitchfork , second by NME and fourth by the Chicago Tribune critic Greg Kot.

Immediately after its win that week, it climbed from number 16 to 3 on its highest weekly sales — 28, copies — and reached a total of , copies sold.

By December , xx had sold , copies in the UK and was certified platinum by the British Phonographic Industry. Although xx had been highly anticipated by XL, the album's success exceeded expectations in the press.

No one knew who we were. When I was writing the songs, I didn't think anyone other than Romy or James would ever actually hear them.

Now I know so many people will. I might feel I have to be a bit more private. At the Mercury Prize ceremony, Sim said the time since the album's release had "felt like a haze", but that the event served as "a moment of clarity".

In subsequent years, xx proved highly influential as many indie bands and mainstream pop acts incorporated the record's distinctive musical characteristics into their own songs.

Petridis later wrote that to his surprise much of 's best-selling singles "sounded oddly but irrefutably" like the album: "You can hear its muted, echoing guitars on everything from the Chainsmokers ' ' Don't Let Me Down ' to Shawn Mendes ' ' Stitches ' to Zara Larsson 's ' Lush Life '.

By January , xx had reached , copies sold in the UK, and in September , its sales there were reported at , In an essay accompanying the list, the newspaper's music editor Ben Beaumont-Thomas said the album features "the most compelling duets of the period: rather than singing to each other, it was as if two people were going through the same thing without the other knowing it — the perfect mood music for the disconnected interconnection of dating apps and social media.

After xx was released, the xx toured Europe and North America through the end of It wasn't working any more musically or as a friendship. I guess it's just the intensity of being on tour, things are so much heightened.

Rather than find a replacement for Qureshi, the xx continued to tour as a smaller line-up of guitar, bass and percussion. They also reduced their already minimalist arrangements for songs in concert, although Sim jokingly said Smith "needs another few arms so he can work everything" after Qureshi's departure.

With a growing fanbase, the xx made commitments to more concerts and extended their tour for the album. They toured intermittently for 18 months, including most of That year, they embarked on their first US tour and played high-profile festivals such as South by Southwest , Coachella and Bonnaroo.

By touring frequently, the xx broadened their reputation among listeners and the press. In March , they played two consecutive nights at the Shepherd's Bush Empire in London to capacity crowds and appeared on the cover of NME , who proclaimed them "the most underrated band in Britain".

While on tour, the xx acclimated themselves to the increased attention and became considerably more sociable and confident. I couldn't have done it.

We used to be terrified. Credits are adapted from the album's liner notes. From Wikipedia, the free encyclopedia.

This article is about the album by the xx. For similarly named albums, see XX. The xx's self-titled debut remains one of the great sleeper hits of the last decade.

Rock music portal. Hot Press. Archived from the original on 6 October Retrieved 6 October The Times. Retrieved 16 April The Sunday Times.

The xx. London: Young Turks. The Scotsman. Archived from the original on 9 March Retrieved 9 March Archived from the original on 7 February Retrieved 22 August Music Week.

Archived from the original on 24 July Retrieved 24 July Archived from the original on 1 December Retrieved 1 December Australian Recording Industry Association Archived PDF from the original on 28 August Retrieved 28 August Archived from the original on 2 October Retrieved 16 October Archived from the original on 15 July Retrieved 15 July Australian Recording Industry Association.

Archived from the original on 28 August Rolling Stone. New York. Archived from the original on 1 September Retrieved 1 September The Guardian.

Retrieved 18 September Young Turks. Archived from the original on 25 August Retrieved 25 August Archived from the original on 31 October Retrieved 31 October The Village Voice.

Archived from the original on 22 August Hung Medien. Sino Chart. Irish Recorded Music Association. Pablo Picasso , Les Demoiselles d'Avignon , Robert Delaunay , Le Premier Disque , — Kasimir Malevich , Black Square , Kandinsky's introduction of non-representational art preceded the s American Abstract Expressionist school, including Jackson Pollock , who dripped paint onto the canvas, and Mark Rothko , who created large areas of flat colour.

Detachment from the world of imagery was reversed in the s by the Pop Art movement, notably Andy Warhol , where brash commercial imagery became a Fine Art staple.

Warhol also minimised the role of the artist, often employing assistants to make his work and using mechanical means of production, such as silkscreen printing.

This marked a change from Modernism to Post-Modernism. Photorealism evolved from Pop Art and as a counter to Abstract Expressionists.

Subsequent initiatives towards the end of the century involved a paring down of the material of art through Minimalism , and a shift toward non-visual components with Conceptual art , where the idea, not necessarily the made object, was seen as the art.

The last decade of the century saw a fusion of earlier ideas in work by Jeff Koons , who made large sculptures from kitsch subjects, and in the UK , the Young British Artists , where Conceptual Art, Dada and Pop Art ideas led to Damien Hirst 's exhibition of a shark in formaldehyde in a vitrine.

From Wikipedia, the free encyclopedia. History of painting Western painting List of modern artists 20th-century Western painting List of 20th-century women artists Contemporary art Postmodern art Classificatory disputes about art List of art movements.

Anna Akhmatova Richard Aldington W. Robert Desnos T. Western art movements. List of art movements. Egyptian Greek Etruscan Roman. Rocaille Rococo Neoclassicism Romanticism.

History of 20th century.

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After posting the demos on their Myspace page, the xx drew the interest of Young Turks , an imprint label of XL Recordings. They submitted the demos to XL's head office at Ladbroke Grove and were subsequently signed to a recording contract.

There was a lot of empty space in the xx's music, even then, in the 'Early Demos'. But we just found that the best stuff was the most sparse.

At the behest of XL's owner Richard Russell , the xx recorded their debut album at the label's small, in-house recording studio — XL Studio — making them the first act to record there.

It was once the head office building's rear garage before Russell transformed it at the beginning of into a makeshift writing, rehearsal and demo space for XL's artists.

McDonald was assigned in September to manage and properly equip the room, which he liked because it was soundproof and "isolated from the rest of the office, so it wasn't like you were working in the record company's presence.

The xx started to record the album in December with McDonald, who engineered the sessions. Sim, who played a Precision Bass manufactured in the s, was often recorded in the hallway outside the studio with a Fender Bassman , one of several amplifiers McDonald experimented with for xx.

Some of Qureshi and Croft's guitars were also done in the hallway. For her lead guitar parts, Croft used a delay pedal and a Roland Micro Cube amplifier with a reverb setting, which McDonald felt would best replicate her "icy", echo-filled sound on the demos.

After all the instrumental elements had been tracked , Croft and Sim recorded their vocals together, rarely singing backup to one another on any of the songs.

McDonald believed it was important for the singers to be "in sync" and share the same mental state or mood when performing full takes of songs, some of which he said benefited from when they were both "quite tired and emotional".

He had Croft and Sim sing into Neumann microphones on most of the songs in order to make their vocals sound as "intimate" and conversational as possible.

The microphones were among the more expensive items he borrowed for the studio's preliminary setup so XL would not be overwhelmed with a costly budget.

Despite McDonald's close involvement, the xx had been encouraged to self-produce their album by Russell; he believed it would remain faithful to both the band's distinctive live sound and the DIY ethic practiced at XL since its beginnings as a rave label.

After those parts had been recorded, he refined and incorporated his beats into the songs for three to four weeks. Most of xx was recorded from late December to late January before McDonald and Smith began an exhaustive mixing process, which lasted two weeks.

For each song, they mixed one or two tracks of each instrument and used Waves Audio components to equalise the recordings.

Having enjoyed how the demos captured unintended background noises such as street sounds, McDonald deliberately left certain sounds that would have otherwise been unwanted in the final mix.

In February , the group wrote and recorded "Fantasy", " Shelter " and "Infinity" before finishing xx , possibly by month's end according to McDonald; the album's liner notes credited the final date of recording as April.

While recording "Shelter", a mechanical part from the guitar amplifier loosened and caused it to make a clattering sound, which McDonald and the xx chose to retain.

The songs on xx are composed around a framework of basslines and beats, while incorporating simple guitar riffs for melody, rhythm and texture ; their melodic notes are separated by rests.

On the austerely arranged "Night Time", Croft sings its first two minutes over only guitar and bass before its beat develops.

On xx , Croft and Sim touch on themes of love, desire and loss in their songwriting, which Croft said has "always been based around emotions, right from the start.

My favourite songs are usually quite sad and I think heartbreak is something that so many people can connect with. The album's Roman numeral title refers to each of the band members having turned 20 years old by the time xx was released.

I can honestly say I've never thought this is about my sex life. Critics particularly praised the xx's sound on the album; Simon Price wrote in The Independent that they were being universally lauded for their "atmospheric indie rock, and rightly so".

Some reviewers had reservations. Jon Caramanica of The New York Times felt the singers are too disengaged and reticent to reveal any genuine emotion.

At the end of , xx appeared on several critics' lists of the year's best albums, including rankings of ninth by Rolling Stone , sixth by Uncut , third by Pitchfork , second by NME and fourth by the Chicago Tribune critic Greg Kot.

Immediately after its win that week, it climbed from number 16 to 3 on its highest weekly sales — 28, copies — and reached a total of , copies sold.

By December , xx had sold , copies in the UK and was certified platinum by the British Phonographic Industry.

Although xx had been highly anticipated by XL, the album's success exceeded expectations in the press. No one knew who we were. When I was writing the songs, I didn't think anyone other than Romy or James would ever actually hear them.

Now I know so many people will. I might feel I have to be a bit more private. At the Mercury Prize ceremony, Sim said the time since the album's release had "felt like a haze", but that the event served as "a moment of clarity".

In subsequent years, xx proved highly influential as many indie bands and mainstream pop acts incorporated the record's distinctive musical characteristics into their own songs.

Petridis later wrote that to his surprise much of 's best-selling singles "sounded oddly but irrefutably" like the album: "You can hear its muted, echoing guitars on everything from the Chainsmokers ' ' Don't Let Me Down ' to Shawn Mendes ' ' Stitches ' to Zara Larsson 's ' Lush Life '.

By January , xx had reached , copies sold in the UK, and in September , its sales there were reported at , In an essay accompanying the list, the newspaper's music editor Ben Beaumont-Thomas said the album features "the most compelling duets of the period: rather than singing to each other, it was as if two people were going through the same thing without the other knowing it — the perfect mood music for the disconnected interconnection of dating apps and social media.

After xx was released, the xx toured Europe and North America through the end of It wasn't working any more musically or as a friendship.

I guess it's just the intensity of being on tour, things are so much heightened. Rather than find a replacement for Qureshi, the xx continued to tour as a smaller line-up of guitar, bass and percussion.

They also reduced their already minimalist arrangements for songs in concert, although Sim jokingly said Smith "needs another few arms so he can work everything" after Qureshi's departure.

With a growing fanbase, the xx made commitments to more concerts and extended their tour for the album.

They toured intermittently for 18 months, including most of That year, they embarked on their first US tour and played high-profile festivals such as South by Southwest , Coachella and Bonnaroo.

By touring frequently, the xx broadened their reputation among listeners and the press. In March , they played two consecutive nights at the Shepherd's Bush Empire in London to capacity crowds and appeared on the cover of NME , who proclaimed them "the most underrated band in Britain".

While on tour, the xx acclimated themselves to the increased attention and became considerably more sociable and confident. I couldn't have done it.

We used to be terrified. Credits are adapted from the album's liner notes. From Wikipedia, the free encyclopedia. This article is about the album by the xx.

For similarly named albums, see XX. The xx's self-titled debut remains one of the great sleeper hits of the last decade.

Rock music portal. Hot Press. Archived from the original on 6 October Retrieved 6 October The Times. Retrieved 16 April The Sunday Times.

The xx. London: Young Turks. The Scotsman. Archived from the original on 9 March Retrieved 9 March Archived from the original on 7 February Retrieved 22 August Music Week.

Archived from the original on 24 July Retrieved 24 July Archived from the original on 1 December Retrieved 1 December Australian Recording Industry Association Archived PDF from the original on 28 August Retrieved 28 August Archived from the original on 2 October Retrieved 16 October Archived from the original on 15 July Retrieved 15 July Australian Recording Industry Association.

Archived from the original on 28 August Rolling Stone. New York. Archived from the original on 1 September Retrieved 1 September The Guardian.

Retrieved 18 September Young Turks. Archived from the original on 25 August Retrieved 25 August Archived from the original on 31 October Retrieved 31 October The Village Voice.

Archived from the original on 22 August Hung Medien. Sino Chart. The Jack of Diamonds group with Mikhail Larionov was expressionist in nature.

Henri Matisse , Woman with a Hat , Pablo Picasso , Les Demoiselles d'Avignon , Robert Delaunay , Le Premier Disque , — Kasimir Malevich , Black Square , Kandinsky's introduction of non-representational art preceded the s American Abstract Expressionist school, including Jackson Pollock , who dripped paint onto the canvas, and Mark Rothko , who created large areas of flat colour.

Detachment from the world of imagery was reversed in the s by the Pop Art movement, notably Andy Warhol , where brash commercial imagery became a Fine Art staple.

Warhol also minimised the role of the artist, often employing assistants to make his work and using mechanical means of production, such as silkscreen printing.

This marked a change from Modernism to Post-Modernism. Photorealism evolved from Pop Art and as a counter to Abstract Expressionists.

Subsequent initiatives towards the end of the century involved a paring down of the material of art through Minimalism , and a shift toward non-visual components with Conceptual art , where the idea, not necessarily the made object, was seen as the art.

The last decade of the century saw a fusion of earlier ideas in work by Jeff Koons , who made large sculptures from kitsch subjects, and in the UK , the Young British Artists , where Conceptual Art, Dada and Pop Art ideas led to Damien Hirst 's exhibition of a shark in formaldehyde in a vitrine.

From Wikipedia, the free encyclopedia. History of painting Western painting List of modern artists 20th-century Western painting List of 20th-century women artists Contemporary art Postmodern art Classificatory disputes about art List of art movements.

Anna Akhmatova Richard Aldington W. Robert Desnos T. Western art movements. List of art movements. Egyptian Greek Etruscan Roman.

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